For a Treaty

My middle class status, career, wealth, comes from that my grandfather was able to get away from the early 20thC steel mills of Hull, UK and come to Australia where he could pull down a forest and take up farming. The family stories tell that indigenous people’s roamed through that land, they knew the new farmers, and then were picked up by government officers and placed on missions. My life, as it is, is the life created by divesting indigenous people of their land with no agreement or recompense. There are some who believe that they can make this work without attention. I caution against this as the view of disassociation. Perhaps under hypnosis we can cut gouges out of our body and pretend we are ‘okay’, but we will surely become debilitated with the loss of our life force that ebbs from the wounds. To me a treaty is the only healing act, an honouring in financial recompense for the resource we stole, a belated conversation in attempt to come to an agreement about who we are to each other, and what we can be for each other. “Sorry’ was the first step. However there is no true sorry without cleaning up our relationship messes to the satisfaction of those we have distressed.

in Australia we have the benefit of just having to look at a very immediate past and it’s ramifications for the people living today. We can address this immediately and completely, if we choose. Otherwise, all over the world, people are in conflict around deep ancestoral issues because we refuse to entertain the notion taught and stood for, by all the Great Educators1, that some call radical forgiveness2. Even here, though, radical forgiveness can only truly take place when every cruelty is owned and spoken.

Any harm, not resolved, causes an ongoing conflict in the body politic. That will occur many generations after anyone even knows the original harm. LOOK CAREFULLY at the human dynamics that are unleashed with every instance of harm, and you will realise that the major harm been done to the indigenous peoples of Australia, is, right now, both overtly and insidiously, eating away at the possibility for Australians to achieve their greatest potential. It is a disease like having a bacterial infection. Ignore it at peril. Our ‘body’ is ringing alarm bells every day and trying to fight the attack. But, being unsupported by the neglect of “nothing happening here’, the disease encroaches. The burden we carry both spiritually and materially because we haven’t been responsible for the damage, has slowed the whole nation down into a sloth of failure to create or produce. As soon as we waken to that our future is completely founded on our recompense for the harm and theft that we are living off, we will embrace our responsibility with enthusiasm. Not because we are doing something special, but because we will be bringing our body politic into full performance.

1. Great Educators is a broad term for the founders of the major religions who all stood for justice and forgiveness as cornerstones of healthy and progressive societies. Continue reading

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Australia’s Fascist Attitudes

Keyvan Rahimian has just been released from 5 years gaol for teaching and organising an underground university because Baha’i youth are banned from University in Iran. His brother and sister-in-law were also imprisoned for the same ‘crime’. His wife died of cancer while he was imprisoned, leaving their daughter without her parents.

I recently read a post by a professor of health sciences, here, in Australia, suggesting that the Australian government should force religions to bring doctrines in line with ‘secular’ laws. I am constantly amazed by how supposedly well-educated people in the west are so ignorant of some of the basic reasons why secular democracy works:
1. the separation of state and religion (States should not make religions);
2 states that dictate everyone’s lives and organisational processes are no longer secular nor democratic but fascist or stalinist or maoist.
And yet these same people will parade their ‘professorialship’ to the public as if they are the expert on government, sociology, religion, democracy, and “what is for our own good”. The Iranian revolutionary Council certainly believes that their dictation is “for our own good”. There are some that believe that this attitude only lies with religious extremists. No, it belongs in the attitudes of ordinary scholars here in Australia. We could shrug it off by saying, “so lazy of that scholar” but that “laziness” has much of the current world without worthy leadership from the learned class, and our institutions in Australia fail people every day because of that.

A BOLD Presentation

March 8 – 12 2017 saw the inaugural BOLD Festival in Canberra, Australia. The BOLD Festival, celebrating the legacy of Dance in Australia, is the brain-child of Liz Lea, dancer, choreographer and event organiser.

As a new comer to the dance theatre scene, a ‘mature mover’ (over 50), and facilitator of dance and performance, I was honoured to present and perform at the BOLD Festival.

The invitation came about through the successful project, “The Forging of Men”, designed and performed with 6 rural men, under the directorship of career theatre-maker, Sue Hayes.

The presentation to The Bold Festival was in the form of a short Pecha Kucha (powerpoint slides presented within 5 minutes). Below is the text to go with the slides. To enjoy the presentation, please open the slides and arrange them beside the text below

Slide 1 Cover slide: This presentation is about my recent journey into dance.
Slide 2 From my years of health work I recognised that a healthy community requires robust empathetic leaders who are the enzymes for bringing that community into integrity and discourse.
Slide 3 ACTUALLY being fully alive, being fully human, is a function of wonder, inquiry, creativity, and performance / action.

Novelty, the surprised recognition of a distinction, is the source of wonder and a vital ingredient for brain development and learning.

Slide 4 Performance is that we are in action in the world and there are witnesses.

Performance is where we get to become adults, leaders, and dancers.

Performance is the wonderful, human thing about life.

Slide 5 The performing arts can be a fantastic access for ethics and leadership training by:

·      supporting the empathetic imagination of the live of others and;

·      the possibilities of self as leader

through the conditions for wonder, inquiry, creativity, and performance.

Slide 6 Over the past 7 years I have designed human sized board games, as a fun approach to movement training, and a way of seeing the world through the body.
Slide 7 2011 – My first dance project with Jess Jones on the Atherton Tablelands.

The project was an awakening for me to the possibilities for facilitating dance theatre work with untrained people.

DANscienCE 2013 was an inspiration – a motivation to develop my own skills as a mature aged dancer, and find that breakthrough into establishing a community dance group.

Slide 8 Mastery – the ability to recognise and perform as by the finest distinctions as a function of performance before increasingly discriminatory witnesses.

Taking any age you were and any skill (technical or creative), plotting novel and masterful experience over time might give some indication of your actual neural and physical ageing robustness.

Slide 9 I have been creating small dance programs for the middle to older aged person for a few years. From that came a vision and a model for an inclusive dance training program that I call rEvolve with connotations for dance as transformative in life.
Slide 10 In my rEvolve program I work with several characteristics of training and design to allow the most embodied expression of an idea. The team works by building through exercises by collaborative feedback until eventually, there’s the performance.
Slide 11 I recently began to feel it is time for me to take a stand for a male culture that is authentic and embodied. At stake is the flourishing of our communities and nations.
Slide 12 In 2015, I found three men who were interested in attending work in dance / physical theatre . We called ourselves ‘Men in Motion’

We won a grant to bring theatre-maker Sue Hayes weekly from Cairns to Atherton to building a performance about our male identity

After we had commenced the development of the work, a further two men turned up, and so a performance was developed, “The Forging of Men”.

Slide 13 The men were, mostly, inexperienced in theatre, dance or any type of performance which gave us a perfect conditions to trial a ‘proof of method’ of the rEvolve model.
Slide 14 There was a moment in the project when Sue Hayes turned to the men and said, “Okay men, tonight you are going to touch each other.”

The contact exercises essential to physical theatre is another potential boon to a transformed male culture.

Slide 15 As the project progressed, one of the men told me, “You’ve been a bit bossy lately. I’m not enjoying myself.” The group conversation that resolved that tension showed up in the performance in what the audience saw about the team work.
Slide 16 I’m now facilitating two groups of about 12 dancers in total:

·      the all-men group for the contribution to male culture that could continue to make; and

·      there’s now an all-in group.

FINE

 

The Big Me Dances

The universe, the world, is how it all occurs to me as a happening, an event, a contingency.

Recalling the words of Baha’u’llah as I would apply them to myself, “… the world is my unawareness of the Godhead and my absorption in aught else…” and that truth is founded in the primary spiritual attitude of the unfettered search: detachment from tradition; avoiding backbiting, boastful people, and evil-doers; cleansing the heart from love, hate, and pride; and living in prayer, patience, resignation, and forgiveness.

My experience gives me the sense that the Godhead operates for me through my declaration (to myself or others) in abandonment of all untrue considerations, for an enthusiasm, passion and joy.

fom_scene26

I believe that I am living in the world, a universe of elementary materials, from which has derived my organic construction as a capability for the flourishing of a metaphysical being. I am the root growing through the soil of human life, drawing sustenance for that budding fractal splicing and looping through all the dimensions beyond time and space, all the dimensions of eternity. I believe I am both contingent and eternal, always to be “unaware” and “absorbed by”, yet also to be a sense of Godhead through how I am in truth.

And so , I dance.

Savannasaurus

With thanks to CSIRO Science by Email. Scientists have discovered a new Australian dinosaur, and it’s a big one! Several giant bones, some over one metre long, were uncovered near the town of Winton in central Queensland. But what’s got scientists all worked up isn’t what it looks like: it’s where it came from.

savanasaurus

Scientists have named the new dinosaur Savannasaurus elliottorum. It was a big, four-legged plant eater, and looked a bit like a brontosaurus. Savannasaurus was as tall as a giraffe, but much heavier.

Fossils from big plant-eating dinosaurs can be found in many places around the world. Some are up to 150 million years old! Several different species are found in Australia, but they only date back to 100 million years ago. Scientists think that these Australian dinos, including Savannasaurus, might be recent arrivals from another continent. Their best guess is that Savannasaurus came from South America.

So how did Savannasaurus get to Australia? They probably walked! During the time of the dinosaurs, the world was a very different place. South America and Australia were both much closer to Antarctica. And that means there may have been dry land linking the three continents.

The world of the dinosaurs was also a lot warmer than today. Antarctica was covered in trees, not ice. Up to around 100 million years ago, it was still pretty cold, but then global warming kicked in. A warmer world might have allowed Savannasaurus to migrate to Australia, along with other large dinosaurs.

We still have plenty to learn from Savannasaurus. We don’t know how far it spread, or how long it lived until it became extinct. Even the story of how it got here is just a best guess. But it’s pretty cool imagining Australia 100 million years ago, filled with giant dinosaurs!