You WILL Choose.

This week a team of three of us had approved our application to facilitate a workshop on accomplishment at the 2018 Global Transformations Conference in Monterey, California. The full title of our topic is “Living the Dream: A Life of Accomplishment”. During the process of putting together the application, we (the team) have had weekly conversations about what accomplishment means and where it all came from. Looking at a thread of accomplishment that I am calling ‘creativity’, and how I might address it from my view of my own biography, I can hear any number of people who might present alternate viewpoints of what accomplishment is and how it ‘should’ work. In pondering those potential ‘alternatives’, ideas I have already heard from various sources, I began to realise that we are all just be standing in the path of our own choices. For all of us, there is only that, given whatever we think we know and much we don’t, we will choose as we will choose.

A couple of years ago, The Poetry Foundation post a commentary by David Orr, that we often fail to fully read this famous poem by Robert Frost. When we just read the beginning and the end we come away with the common interpretation that Frost is encouraging us to take the more arduous looking path. However in the middle two verses he regales that neither path is really any different to the outward glance but that only one of them can be taken. In this case, when we read the last verse we can see he is being ironical about how we will dress up the story of our life, in the future, as one that was the more adventurous.

The Road Not Taken
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

David Orr tells that Frost actually wrote the poem as a tease while in England and going for regular walks in the countryside with another poet, Edward Thomas. Frost told that, after the walk, Thomas would often complain that he should have chosen different pathways because of what they missed out seeing. So, Frost wrote the poem just to say, a choice is made, and that is that. Everything else afterwards, is just a following along that path, as it has to be.

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Sex and Power

The social philosophy program on the ABC Radio, THE MINEFIELD, tried to discuss the socio-political effect of the sexual abusiveness of powerful men, mostly in media, but some in politics. It was almost shocking to me to hear the striking inability of the guest on that program to deal with the biological imperative of sex, seeming to relegate sex to a social construct. My own 58 years on the planet and conversations with many men and women, suggest that trying to sideline the biological imperative of sex is most of the cause of our modern challenge around sex. If we are to understand ourselves and sex, at all, we need to take on the whole picture of human being-ness and history.

We must accept the biological nature of sexual urge, as in the same category of thirst and hunger. Unlike thirst and hunger, we will not actually die from not satisfying the sexual urge. However our brain’s biology is not set up for ‘actually’. It is set up for ‘as it will’. From the point of view of biology, to achieve an action, the brain is set up for the imperative ‘as it will”. Regarding sex, the human biology is set up as that ‘we will die’ without it. ‘Actually, it is our species that will die without it. Biology doesn’t account for this distinction.

Understanding the biological imperative, we can then begin an historical exploration  with a view of our pre-homo sapien sapien behaviour. Taking non-human primate behaviour as reflecting that history, we can conclude that the early human social group was dominated by the alpha male who bullied other males to their possible death, and strictly controlled his own access to females for sex. Females also, in the main, capitulate to this social formation as access to sex and other emotional rewards.

Through these alpha males, what we could now call, psychopathic, from about 100,000 years ago, the groups journeyed across the world, establishing new groups and new territories. This journeying is continuing today, and the European colonial movement that we get caught up with in many political expositions, today, is just the recent and largest, lead expeditions. Since then, the psychopath has lost a lot of power, although to understand today’s conundrum around sex is to understand the current imposition of the psychopathic male and his ability to draw sycophants, both men and women, around him.

It is important to understand that the key transformative mechanisms that allowed human society to move from those alpha dominated groups to today’s yearning for an egalitarian society, has been the development of religious concepts and structures. Religious structures, being often built parallel to pre-existing political structures, have created access for men and women to sex and social power in new ways. Somewhat like an adolescent primate, religion has maintained only just enough ‘cheekiness’ to be allowed by the alpha, while eventually building up challenging levels of power that become alpha, and taken over by alphas (psychopaths) who wield their power across both religious and political spheres. Periodically, a new religious view would emerge to support another, more egalitarian view.  Over millenia, the play between religions and social politics and, eventually empire building, while not over-powering the psychopath (because it would take a psychopath to over power a psychopath), created a greater and greater sense of egalitarianism. Today’s complaint against sexual abusiveness must be taken in the context of that as modern yearning being built over thousands of years.

In a certain way, the broad spread complaint against sexual abusiveness (a badly kept secret the whole of my life from Marilyn Monroe’s suicide and movies being part of my childhood; noticing that adolescent males I knew who had been exploited by older gay men and many of whom died of AIDs in the 1980s; to the litany of allegations from workplaces), is part of the final movements of the world of humanity towards an equality of men and women.

Fundamental to that equality are that the mainstream of human society transforms on three fronts: being clear about sex, sexuality, and that equality means independence of men and women agreeing on monogamous sexual relationships (in otherwords, marriage); transforming economic systems by striving for independence, removing support for slavers, and other sycophantic behaviours, and ensuring equitable resource distributions; transforming political systems by supporting participatory democracy, education, and powerless attitudes in unity.

Australia’s Fascist Attitudes

Keyvan Rahimian has just been released from 5 years gaol for teaching and organising an underground university because Baha’i youth are banned from University in Iran. His brother and sister-in-law were also imprisoned for the same ‘crime’. His wife died of cancer while he was imprisoned, leaving their daughter without her parents.

I recently read a post by a professor of health sciences, here, in Australia, suggesting that the Australian government should force religions to bring doctrines in line with ‘secular’ laws. I am constantly amazed by how supposedly well-educated people in the west are so ignorant of some of the basic reasons why secular democracy works:
1. the separation of state and religion (States should not make religions);
2 states that dictate everyone’s lives and organisational processes are no longer secular nor democratic but fascist or stalinist or maoist.
And yet these same people will parade their ‘professorialship’ to the public as if they are the expert on government, sociology, religion, democracy, and “what is for our own good”. The Iranian revolutionary Council certainly believes that their dictation is “for our own good”. There are some that believe that this attitude only lies with religious extremists. No, it belongs in the attitudes of ordinary scholars here in Australia. We could shrug it off by saying, “so lazy of that scholar” but that “laziness” has much of the current world without worthy leadership from the learned class, and our institutions in Australia fail people every day because of that.

A BOLD Presentation

March 8 – 12 2017 saw the inaugural BOLD Festival in Canberra, Australia. The BOLD Festival, celebrating the legacy of Dance in Australia, is the brain-child of Liz Lea, dancer, choreographer and event organiser.

As a new comer to the dance theatre scene, a ‘mature mover’ (over 50), and facilitator of dance and performance, I was honoured to present and perform at the BOLD Festival.

The invitation came about through the successful project, “The Forging of Men”, designed and performed with 6 rural men, under the directorship of career theatre-maker, Sue Hayes.

The presentation to The Bold Festival was in the form of a short Pecha Kucha (powerpoint slides presented within 5 minutes). Below is the text to go with the slides. To enjoy the presentation, please open the slides and arrange them beside the text below

Slide 1 Cover slide: This presentation is about my recent journey into dance.
Slide 2 From my years of health work I recognised that a healthy community requires robust empathetic leaders who are the enzymes for bringing that community into integrity and discourse.
Slide 3 ACTUALLY being fully alive, being fully human, is a function of wonder, inquiry, creativity, and performance / action.

Novelty, the surprised recognition of a distinction, is the source of wonder and a vital ingredient for brain development and learning.

Slide 4 Performance is that we are in action in the world and there are witnesses.

Performance is where we get to become adults, leaders, and dancers.

Performance is the wonderful, human thing about life.

Slide 5 The performing arts can be a fantastic access for ethics and leadership training by:

·      supporting the empathetic imagination of the live of others and;

·      the possibilities of self as leader

through the conditions for wonder, inquiry, creativity, and performance.

Slide 6 Over the past 7 years I have designed human sized board games, as a fun approach to movement training, and a way of seeing the world through the body.
Slide 7 2011 – My first dance project with Jess Jones on the Atherton Tablelands.

The project was an awakening for me to the possibilities for facilitating dance theatre work with untrained people.

DANscienCE 2013 was an inspiration – a motivation to develop my own skills as a mature aged dancer, and find that breakthrough into establishing a community dance group.

Slide 8 Mastery – the ability to recognise and perform as by the finest distinctions as a function of performance before increasingly discriminatory witnesses.

Taking any age you were and any skill (technical or creative), plotting novel and masterful experience over time might give some indication of your actual neural and physical ageing robustness.

Slide 9 I have been creating small dance programs for the middle to older aged person for a few years. From that came a vision and a model for an inclusive dance training program that I call rEvolve with connotations for dance as transformative in life.
Slide 10 In my rEvolve program I work with several characteristics of training and design to allow the most embodied expression of an idea. The team works by building through exercises by collaborative feedback until eventually, there’s the performance.
Slide 11 I recently began to feel it is time for me to take a stand for a male culture that is authentic and embodied. At stake is the flourishing of our communities and nations.
Slide 12 In 2015, I found three men who were interested in attending work in dance / physical theatre . We called ourselves ‘Men in Motion’

We won a grant to bring theatre-maker Sue Hayes weekly from Cairns to Atherton to building a performance about our male identity

After we had commenced the development of the work, a further two men turned up, and so a performance was developed, “The Forging of Men”.

Slide 13 The men were, mostly, inexperienced in theatre, dance or any type of performance which gave us a perfect conditions to trial a ‘proof of method’ of the rEvolve model.
Slide 14 There was a moment in the project when Sue Hayes turned to the men and said, “Okay men, tonight you are going to touch each other.”

The contact exercises essential to physical theatre is another potential boon to a transformed male culture.

Slide 15 As the project progressed, one of the men told me, “You’ve been a bit bossy lately. I’m not enjoying myself.” The group conversation that resolved that tension showed up in the performance in what the audience saw about the team work.
Slide 16 I’m now facilitating two groups of about 12 dancers in total:

·      the all-men group for the contribution to male culture that could continue to make; and

·      there’s now an all-in group.

FINE

 

The Big Me Dances

The universe, the world, is how it all occurs to me as a happening, an event, a contingency.

Recalling the words of Baha’u’llah as I would apply them to myself, “… the world is my unawareness of the Godhead and my absorption in aught else…” and that truth is founded in the primary spiritual attitude of the unfettered search: detachment from tradition; avoiding backbiting, boastful people, and evil-doers; cleansing the heart from love, hate, and pride; and living in prayer, patience, resignation, and forgiveness.

My experience gives me the sense that the Godhead operates for me through my declaration (to myself or others) in abandonment of all untrue considerations, for an enthusiasm, passion and joy.

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I believe that I am living in the world, a universe of elementary materials, from which has derived my organic construction as a capability for the flourishing of a metaphysical being. I am the root growing through the soil of human life, drawing sustenance for that budding fractal splicing and looping through all the dimensions beyond time and space, all the dimensions of eternity. I believe I am both contingent and eternal, always to be “unaware” and “absorbed by”, yet also to be a sense of Godhead through how I am in truth.

And so , I dance.